Kendzia

Utrillo, Maurice (1883-1955) ‘La Moulin de la Galette’ 1922, colour lithograph, signed and dated lower right in stone, ornate frame, 22.5x28.5cm (w.f. 36.5x42cm), slightly yellowed

Vlaminck, Maurice de (1876-1958) ‘Le Vieux Moulin’ 1921, lithograph, 16/50, signed/numbered, stamped lower right in the stone, PM approx. 48x64cm (w.f. 70x85cm), light edge, yellowed

Rembrandt H. van Rijn (1606-1669) ‘Self-Portrait with Fur Hat’, etching, remnants of the date and plate signature on the upper edge, free framed, SM 5.5x5.3 cm (w.f. 24.5x19.3 cm), trimmed, provenance: Collection of Prof. Will Héraucourt

Rembrandt H. van Rijn (1606-1669) ‘Beggar with a High Hat’, etching, signed and dated below the plate, free framed, SM 8.5x4.7cm (w.f. 24.5x19.5cm), spotty, provenance: Collection Prof. Will Héraucourt

Piranesi, Giovanni Battista (1720-1778) ‘Veduta di Campo Vaccino’, etching, signed lower right in the plate, PM 48x71.5cm (w.f. 74.5x98cm), old water stain lower right, mounting residue on the reverse

Barlach, Ernst (1870-1938) ‘The Couple in the Crowd III (The Kneeling One)’ 1919, lithograph, signed lower right, w.f. 26.5x34.5cm (w.f. 61x71cm)

Bangemann, Oskar (1882- approx. 1959) ‘A lonely man's walk in the park’ 1920, wood engraving, signed lower left ‘Liebermann’, probably for Johann Wolfgang von Goethe's ‘The Man of Fifty’, 15.2x11.6cm (w.f. 45 x 38.7cm), cf.: https://online-sammlung.

Beckmann, Max (1884-1950) "The Yawners" 1918, etching, 33/80, numbered lower left, estate stamp and signature on the reverse, with original invoice from Kunstgalerie Rodheim 1990, PM 30.5x25.3cm (w.f. 62x51cm), slightly yellowed

Corinth, Lovis (1858-1925) ‘Mountain Lake’, lithograph, signed lower right, mounted in passe-partout, PM 18x18cm, SM 35.5x27cm (w.PP. 50x35cm), light edge

Chagall, Marc (1887-1985) ‘Le Coq au croissant’ 1957, colour lithograph, 30/90, signed/numbered, with ‘ARTES certificate’ from 1982, 38.2x29cm, spotty, light edge wear

Bonnard, Pierre (1867-1947) ‘Femme debout dans sa baignoire’ 1925, lithograph, 23/25, signed/numbered, upper right in plate monogrammed, embossed stamp ‘Galerie des Peintres-Graveurs’, with original invoice Galerie Boiserrée 1985, PM approx. 29.5x19

Dali, Salvador (1904-1989) ‘L'Infante de Velasquez (The Princess)’, etching/colour lithograph, 19/300, with original invoice ‘Kunsthandlung ARTES’ from 1986, PM 59.5x40.5cm (w.f. 99x74cm)

Dali, Salvador (1904-1989) ‘Cecile receives Germeuil's letter’, colour lithograph, 123/160, from: ‘Marquis de Sade’, signed/numbered, signed lower left in the plate, PM 53x42.7cm (w.f. 81x66cm), yellowed

2 Teniers, David II (1610-1690) Successor ‘Dutch genre scenes’, oil on wood, each approx. 20x28.5cm (w.f. approx. 30x38cm)

Unknown artist of the 18th c. ‘Three Jewish Merchants’, oil/paper mounted on painting cardboard, 48.5x39.5cm (w.f. 56x47cm), slight signs of age, cf.: US Holocaust Memorial Museum, The Katz Ehrenthal Collection

5 Dietrich (Dietricy), Christian Wilhelm Ernst (1712-1774) attributed ‘Portrait Heads’, oil/paper, approx. 22x18.5cm (w.f. 27x23.5cm), some minor defects on the painted surface

Volkmar, Antonie (1827-1903) ‘Portrait of a Child with a Bouquet of Flowers - Farewell, Dear Child’ 1861, oil on cardboard, ornate frame (minor defects), 25x21.5cm (w.f. 33x29.3cm), painting surface slightly bent, slight craquelure, provenance: from

Bornemann, Johann Günther (1757-1815) ‘Girl with Flower Basket’ 1802, oil on canvas, signed and dated lower left, 113.5 x 84 cm (w.f. 125 x 95.5 cm), rest.

Volkmar, Antonie (1827-1903) ‘Young Man with Staff’, oil on canvas, free copy after Raphael, inscribed on the reverse, 66x51.5cm (w.f. 72.5x57.5cm), provenance: from the artist's family collection

Volkmar, Antonie (1827-1903) ‘La Bella’, oil on canvas, reduced copy after Jacopo Palma (il Vecchio), ornate frame (slight signs of age), 35.5x27cm (w.f. 50x46.5cm), provenance: from the artist's family collection

Gaisser, Jakob Emanuel (1825-1899) ‘The Intercepted Messenger of Love’ 1878, oil on canvas mounted on fibreboard, signed and dated lower right, 87x72cm (w.f. 107x92cm), rest., minor defects to the paint surface, craquelure

Müller, Karl (1865-1942) ‘Hamburg Originals (including Hummel, Zitronenjette, Aalweber, Udel, Köksch...)’, oil/wood, signed/marked lower left, 102x114.5cm (w.f. 113.5x126cm), slightly cracked, provenance: Collien Collection, formerly wall decoration

Wiederhold, Carl (1863-1961) ‘Walk in the Park’, oil on canvas mounted on cardboard, signed lower right, 21x28.8cm (w.f. 26.3x33.7cm), minor defects to the painted surface

Blanche, Jacques-Emil (1861-1942) ‘Walkers at Cleopatra's Needle and Hungerford Bridge in London’ 1881, oil on canvas, signed/dated/inscribed lower right, inscribed on adhesive label on reverse, 81x59cm (w.f. 88x66.3cm)