Kendzia

Herbst, Thomas (1848-1915) ‘Standing Cow to the Right’, oil on cardboard, estate stamp on reverse, WVZ 350, 34.5x43.5cm (w.f. 51x59.5cm), rest., craquelure

Artz, Constant (1870-1951) ‘Ducks by the River’, oil on wood, signed lower left, ornate frame, 24.5x36cm (w.f. 43.5x55cm), rest., craquelure

Dargen, Ernst (1866-1929) ‘The Chicken Yard’ 1895, oil on cardboard, signed and dated lower left, inscribed on the reverse, ornate frame, 66.5x47cm (w.f. 88.5x68cm), minor defects to the painted surface, slightly dirty

Lins, Adolf (1856-1927) ‘Lily Pond’, oil on cardboard, signed lower left, 46x60.3cm

Koester, Alexander (1864-1932) ‘Floating Ducks’, oil on canvas, signed lower right, 45x76cm (w.f. 57.5x89cm), minor defects to the paint surface, some fine craquelure

Odefey, Ernst (1882-1964) ‘Still Life with Roses in a Vase’ 1936, oil on canvas mounted on board, signed and dated lower left, 32x41cm (w.f. 42.5x51.5cm)

Povorina, Alexandra (1885-1963) ‘Still Life with Vase, Jug and Fruit Bag’, oil on canvas mounted on cardboard, 30.2x47cm (w.f. 36x53cm), defects on the painted surface, provenance: Collection of Dr Paul Johann Friedrich Wassily

Gelardi, Herdis (1916-1991) ‘Still Life with Bottle, Iron and Lemons’, oil on canvas, signed lower left, 33.5x39.3cm (w.f. 44.5x49.5cm), rest.

Povorina, Alexandra (1885-1963) ‘Still Life with Pears in a Basket’, oil on cardboard, monogrammed lower left, 32.5x40.5cm (w.f. 39x47cm), slightly dirty, provenance: Collection of Dr Paul Johann Friedrich Wassily

Rembrandt H. van Rijn (1606-1669) ‘Beggar with a High Hat’, etching, signed and dated below the plate, free framed, SM 8.5x4.7cm (w.f. 24.5x19.5cm), spotty, provenance: Collection Prof. Will Héraucourt

Rembrandt H. van Rijn (1606-1669) ‘Self-Portrait with Fur Hat’, etching, remnants of the date and plate signature on the upper edge, free framed, SM 5.5x5.3 cm (w.f. 24.5x19.3 cm), trimmed, provenance: Collection of Prof. Will Héraucourt

Vlaminck, Maurice de (1876-1958) ‘Le Vieux Moulin’ 1921, lithograph, 16/50, signed/numbered, stamped lower right in the stone, PM approx. 48x64cm (w.f. 70x85cm), light edge, yellowed

Utrillo, Maurice (1883-1955) ‘La Moulin de la Galette’ 1922, colour lithograph, signed and dated lower right in stone, ornate frame, 22.5x28.5cm (w.f. 36.5x42cm), slightly yellowed

Utrillo, Maurice (1883-1955) ‘La Fontaine’ 1923, colour lithograph, signed and dated lower right in stone, ornate frame (small defects), 24.5x33cm (w.f. 38.5x47cm), yellowed

Schreyer, Lothar (1886-1966) ‘Fish’ 1925, woodcut, signed/dated/inscribed/dedicated, SM 32x24.7cm, minimal signs of age, provenance: gift from the artist, privately owned since then

2 Schreyer, Lothar (1886-1966) ‘Man’ and ‘Beloved Mother’ 1921, woodcuts, watercolour, dated/inscribed/dedicated, PM 21.8x30.8cm, SM approx. 30.5x42cm, in envelope folder ‘Birth’, minimal signs of age, provenance: gift from the artist, since then in

Masareel, Frans (1889-1972) ‘Galionsfigur’ 1963, signed and dated lower right in the plate, PM 31x43.3cm, SM 49.5x63cm (w.PP. 50x70cm), min. light margin

Magritte, René (1898-1967) ‘Seize Septembre’, colour etching, VI/XXV, numbered lower left, signed and stamped lower right ‘Gravure Originale Atelier René Magritte’, PM 15x10cm, SM 27.5x22cm, mounted in passe-partout with two adhesive strips, mountin

Maillol, Aristide (1861-1944) ‘Faun with Aegle, the lovely Naiad’ 1926, colour woodcut, mounted in passe-partout, PM 9x10.4cm, SM 17x19cm (w.PP. 21.5x22.3cm), light edge

Liebermann, Max (1847-1935) ‘Guard with Child’ 1919, lithograph, 129/150, signed/numbered, 26.5x19.5cm (w.f. 45.5x38.5cm)

Lachnit, Wilhelm (1899-1962) ‘Nude Combing Hair with Aquarium’ 1955, etching, estate signature on verso, 39.5x28.2cm (w.f. 65.5x56cm)

Liebermann, Max (1847-1935)"Net Menders" 1894, etching, signed lower right in the plate, dry stamp lower left, PM 23.2x31.5cm, SM 45x56.5cm, slightly spotty, light edge, mounting residue

Kirchner, Ernst Ludwig (1880-1938) "Bathers" 1910/1979, etching, estate stamp on verso, mounted in passe-partout, PM 17.1x11.7cm, SM 37.7x35cm (w.PP. 50x40cm), minor edge defects

Kasimir, Luigi (1881-1962) ‘Park and Nymphenburg Palace in Winter’ 1923, colour etching, signed lower right, dated lower right in the plate, PM 27.5x36.5cm (w.f. 44.3x52cm), minimally spotty in the margins, slightly yellowed