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Mixed media with Indian ink and collage on cardboard, mounted on panel. 1922. Depiction ca. 43 x 43 cm (panel ca. 57 x 56 cm). Signed lower right, dated, titled and inscribed “OZ+COL:” lower left. Dated and titled once more by the artist on the reverse on the backing cardboard and with a long inscription, numbered and stamped “Heimatmuseum of Modern Art. SCHMELZ near 6239 Germany“. • Robert Michel was one of the leading representatives of the German avant garde during the 1920s • This work uses his characteristic collage and spray techniques • From the important collection of Irwin Salmon Chanin, New York, whose wife was a friend of the artist Fixed in double-sided glazed frame. Not examined out of the frame.
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ROBERT, MICHEL. 1897 in Vockenhausen - 1983 Titisee-Neustadt)
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* Robert Michel, (German, 1897-1983), Heck-Studie, mehrfach echt gerahmt (Heck-Study framed multiple times), 1961
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Robert Michel, ‘Rhinoplast-Rekord’, Ink, 1932-33
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Robert Michel, ‘Rhinoplast-Rekord’, Ink, 1932-33
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Robert Michel (1897 Vockenhausen/Taunus - Titisee-Neustadt 1983) – „STUDIO mécanique“ (“STUDIO mécanique”)
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ROBERT MICHEL (1897-1983) - stud:c-b (come-back)
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Robert Michel Vockenhausen-Eppstein 1897 – 1983 Neustadt/Black Forest - ”À la Loch Ness”. 1923
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Robert Michel German, 1897-1983 Untitled, 1923
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