작품 상세

Francesco Fanelli (Firenze, 1577-Parigi?, 1663) (school of) Cupid riding on a dolphinProbably 17th century Bronze, natural brown patina on dark brown coating Overall 14,5x14,5x10 cm Bronze 11x10,5x8,5 cmCupid riding on a dolphin, with a mace in his right hand while with his left hand he holds wide open dolphin’s jaws, which, exhibiting the teeth, resembles a fierce aquatic monster. Splendid transparent brown patina with traces of an artificial dark brown patina. An identical model preserved in the Civic Museums of Padua is attributed to workshop of Niccolò Roccatagliata. This could be an alternative attribution of our bronze even though in the recent scholarship similar bronzes are assigned to the workshop of Fanelli. BibliographyDavide Banzato and Francesca Pellegrini, Musei Civici di Padova, Bronzi e Placchette, Editoriale Programma, Padova, 1989, p.110-111. 

Francesco (1577) Fanelli 다른 거래

작가 페이지로
FRANCESCO FANELLI (1577-AFTER 1642) ANGLO-ITALIAN, 17TH CENTURY | Plaque with a recumbent Lion
Francesco (1577) Fanelli · 2016
MANNER OF FRANCESCO FANELLI (1577-1657): CUPID ON HORSEBACK
Francesco (1577) Fanelli · 2016
FRANCESCO FANELLI (1577-AFTER 1642) ANGLO-ITALIAN, 17TH CENTURY | Saint George and the Dragon and a Horse being attacked by a Lion
Francesco (1577) Fanelli · 2017
PAIRE DE MODÈLES EN BRONZE REPRÉSENTANT DES CHEVAUX CABRÉS - ENTOURAGE DE FRANCESCO FANELLI (VERS 1580-1661), ITALIE OU ANGLETERRE, XVIIE
Francesco (1577) Fanelli · 2020
Francesco Fanelli, 1577 – um 1657, Art des
Francesco (1577) Fanelli · 2021
Francesco Fanelli (Firenze, 1577- Parigi? 1663) (school of) Prancing Horse
Francesco (1577) Fanelli · 2023
Trotting horse after Francesco Fanelli (1577 - after 1657)
Francesco (1577) Fanelli · 2023
ATTRIBUTED TO FRANCESCO FANELLI (ITALIAN, 1577-1657): A MID 17TH CENTURY FIGURE OF A FEMALE RECLINING NUDE leaning on a rocky outcrop draped with a cloak, looking over her right shoulder,  12cm high x 17cm wide PROVENANCE: CHARLES AVERY COLLECTION Charles Avery is a specialist in European sculpture, particularly Italian, French, English, Flemish and Dutch. A graduate in Classics at Cambridge University, he obtained a Diploma in the History of Art at the Courtauld Institute and a doctorate for published work from Cambridge. Having been Deputy Keeper of Sculpture at the Victoria and Albert Museum for twelve years (1966-79), and a Director of Christies for ten years, since 1990 he has been a highly respected, independent historian, consultant, writer and lecturer. His books include ‘Florentine Renaissance Sculpture’, 1970, ‘Giambologna the Complete Sculpture’, Phaidon, 1987, ‘Donatello: An Introduction’, John Murray, 1994; ‘Bernini, Genius of the Baroque’, Thames and Hudson, 1997 (paperback, 2006),  and ‘The Triumph of Motion: Francesco Bertos’, 2008. Purchased by Dr Avery from the Adams Collection, Bonhams, 23 May 1996, lot 55.  This unusual, portrait like statuette was previously thought to have been associated with the work of Guglielmo della Porta. A red wax relief by Della Porta and Manno Sbarri (Florence, 1494-1553) depicting the Infant Hercules includes a similar nude female figure in kneeling position over a draped raised surface (see Trinity Fine Art exhibition, New York, 2009, no. 5). However the coiffure modelled in the present statuette is consistent with the 1630's and the casting recalls the technique of Fanelli.
Francesco (1577) Fanelli · 2016