작품 상세
The density and richness of colour in this work represents an abundance of wild flowers after winter rain. The painting is an aerial perspective as Emily perceived her country in the spring of 1995. From late 1991 onwards Emily explored a range of techniques having largely abandoned the fine dotting and submerged linear tracing which characterised her earlier works. She began using larger brushes to create broader circular dabs of paint which often involved 'double dipping' the brush in a second colour before applying the paint to the canvas. This technique enabled her to work vigorously while making delicate flower-like impressions as are seen in this magnificent work of the period.
Emily Kam Kngawarray의 다른 거래
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EMILY KAME KNGWARREYE (c1910-1996), Anmatyerre language group Untitled (Wildflower Dreaming) c1993
Emily Kam Kngawarray · 2017

ATTRIBUTED TO EMILY KAME KNGWARREYE, 'Untitled - Yam Ceremony - Awelye', synthetic polymer on canvas, signed 'Emily' to verso, 83 x
Emily Kam Kngawarray · 2017

Untitled
Emily Kam Kngawarray · 2017

Yam Seed Dreaming
Emily Kam Kngawarray · 2017

Sacred Grasses
Emily Kam Kngawarray · 2017

EMILY KAME KNGWARREYE, (c.1910 – 1996), TRANSITION, 1990, synthetic polymer paint on linen
Emily Kam Kngawarray · 2017

EMILY KAME KNGWARREYE, (c.1910 – 1996), ANOORALYA III, 1995, synthetic polymer paint on linen
Emily Kam Kngawarray · 2017

EMILY KAME KNGWARREYE, (c.1910 – 1996), THE FIRST FLOWERS OF SUMMER, 1990, synthetic polymer paint on canvas
Emily Kam Kngawarray · 2017