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30 copperplate engravings on wove paper Various engravers like Paulus Pontius (1603-1658), Lucas Vorstermann (1595-1675), Pieter de Jode (1604-1670/74) and Schelte a Bolswert (1586-1659) After Anthonis van Dyck (1599-1641) – Flemish painter of the Baroque With dry stamp ‘Musees Nationaux Calcographie du Louvre’; as well as each titled and inscribed From Aus Iconographie, ou Vies des hommes illustres du XVII. siecle, Amsterdam/Leipzig 1795 and later Portraits of famous people from the 17th century, among them Pieter de Jode (1604-1670/74), Sebastian Vrancx (1573-1647) and Theodoor Rombouts (1597-1637) Partially matted Plate dimensions: from 16.5 x 2.,5 to 21 x 27.5 cm Provenance: private property Rhineland-Palatinate, Germany The collection comprises following portraits: Anthonis van Dyck (1599-1641) Gerard Seghers (1591-1651) Pieter de Jode (1604-1670/74) Sebastian Vrancx (1573-1647) Theodoor Rombouts (1597-1637) Cardinal-Infante Ferdinand of Austria (1609-1641) Adam de Coster (1586-1643) Paulus Pontius (1603-1658) Jan Snellinck (1548-1638) Andreas de Nole (1598-1638) Albrecht von Wallenstein (1583-1634) Diodorus Tuldenus (?-1645) Anthonius Triest (1576-1657) Pieter Snayers (1592-1667) Constantin Hugens (1596-1697) Justus Lipsius (1547-1606) Willelm Hondius (1598-1652/58) Adam van Noort (1562-1641) Maria dei Medici (1575-1642) Inigo Jones (1573-1652) Lucas van Uden (1595-1672) Jan Wildens (1586-1653) Artus Wolffort (1581-1641) Antonius de Tassis (1510-1574) Alexander della Faille (1587-1653) Carolus de Columna Antoon Cornelissen Franciscus Snyders Johannes van Ravesteyn Jacob de Cachopin Condition: The works are in age-related condition and partially bear heavier signs of wear. The sheet is slightly rippled and discolored, especially along the edges. Foxing, handling creases, tears and stains can be seen. The edges are partially bumped. Anthonis van Dyck (1599-1641) The Flemish painter and graphic artist Anthony van Dyck was born in Antwerp and mainly painted portraits. He was a collaborator of Peter Paul Rubens. He received his artistic training with the painter Hendrick van Balen (1575-1632). In 1620, van Dyck traveled to England and soon entered into the service of James I. He studied works of the Italian Renaissance in the courtly art collection and was inspired by Veronese and Titian. In 1632, van Dyck moved to London. He there worked as court painter and portraitist for Charles I, who raised him to the peerage. The largest collection of van Dyck's works is still in the property of the English Crown. Further works are on display in important museum collections, including the Tate Britain in London and the Herzog Anton Ulrich Museum in Braunschweig. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.