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28 copperplate engravings on wove paper Various engravers like Paulus Pontius (1603-1658), Lucas Vorstermann (1595-1675) and Schelte a Bolswert (1586-1659) After Anthonis van Dyck (1599-1641) – Flemish painter of the Baroque With dry stamp ‘Musees Nationaux Calcographie du Louvre’; as well as each titled and inscribed From Aus Iconographie, ou Vies des hommes illustres du XVII. siecle, Amsterdam/Leipzig 1795 und später  Portraits of famous people from the 17th century, among them Michiel van Mierevelt (1567-1641), Johann T’Serclaes Graf von Tilly (1559-1632) und Karl Emanuel I. (1562-1630) Partially matted Plate dimensions: from 16.5 x 2.,5 to 21 x 27.5 cm Provenance: private property Rhineland-Palatinate, Germany The collection comprises following portraits: Michiel van Mierevelt (1567-1641) Johann T’Serclaes Graf von Tilly (1559-1632) Karl Emanuel I. (1562-1630) Palamedes Palamedesz (1607-1638) Christian (II.) of Braunschweig-Wolfenbüttel (1599-1626) Jean-Baptiste Gaston (1608-1660) Cornelis van Poelenburgh (1594/95-1667) Joannes Carolus della Faille (1597-1652) Franciscus De Moncada (1586-1635) Aubert Miraeus (1573-1640) Cornelis de Vos (1585-1651) Pieter Bruegel the Younger (1564-1638) Catharina Howard (1521/25-1542) Adriaen van Stalbemt (1580-1662) Orazio Gentileschi (1563-1639) Ambrosio Spinola (1569-1630) Simon de Vos (1603-1676) Johannes Malderus (1563-1633) Johann VI. (Nassau-Dillenburg) (1536-1606) Lucas Vorstermann (1595-1675) Gerard van Honthorst (1592-1656) Franciscus Franck Pierre Stevens Franciscus Thomas a Sabaudia Casperius Gevartius Anthonius van Opstal Martinus Rychart Antonius de Zuniga Condition: The works are in age-related condition and partially bear heavier signs of wear. The sheet is slightly rippled and discolored, especially along the edges. Foxing, handling creases, tears and stains can be seen. The edges are partially bumped. Anthonis van Dyck (1599-1641) The Flemish painter and graphic artist Anthony van Dyck was born in Antwerp and mainly painted portraits. He was a collaborator of Peter Paul Rubens. He received his artistic training with the painter Hendrick van Balen (1575-1632). In 1620, van Dyck traveled to England and soon entered into the service of James I. He studied works of the Italian Renaissance in the courtly art collection and was inspired by Veronese and Titian. In 1632, van Dyck moved to London. He there worked as court painter and portraitist for Charles I, who raised him to the peerage. The largest collection of van Dyck's works is still in the property of the English Crown. Further works are on display in important museum collections, including the Tate Britain in London and the Herzog Anton Ulrich Museum in Braunschweig. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.