작품 상세

(i) LIONEL ESTEVE (B. 1967) (ii) KATE GROOBEY (B. 1979) (iii) CELIA HEMPTON (B. 1981) (iv) ADELINE DE MONSEIGNAT (B. 1987) (v) MOATAZ NASR (B. 1961) (vi) NIKA NEELOVA (B. 1987) (vii) JAY ONE RAMIER (B. 1967) (viii) ALAN REID (B. 1954) (ix) KON TRUBKOVICH (B. 1979) (x) HUGO WILSON (B. 1982) (i) Untitled(ii) La lutte(iii) Stromboli, from the painting at 900 Metres(iv) Moonkissed(v) T BT(vi) Untitled(vii) FEEL(viii) Untitled(ix) Untitled(x) Untitled(i) signed and numbered 'Lionel Esteve 11/30' (on the reverse) (ii) signed 'KY' (centre right) , numbered '11/30' (centre left) (iii) signed and dated 'Celia Hempton 2014' (lower right) , titled 'Stromboli' (lower centre) , numbered '11/30' (lower left) (iv) signed and dated 'Adeline de Monseignat 14' (centre right) , titled ''MoonKissed'' (centre) , numbered '11/30' (centre left) (v) signed 'moataz nasr' (centre right) , numbered '11/30' (centre left) (vi) signed 'nn' (centre right) , numbered '11/30' (centre left) (vii) signed 'Jayone' (centre right) , numbered '11/30' (centre left) (viii) signed 'A Reid' (centre right) , numbered '11/30' (centre left) (ix) signed 'K Trubkovich' (lower right) ; numbered '11/30' (lower left) (x) signed 'Hugo Wilson' (centre right) , numbered '11/30' (centre left) (i) etching, inked 'à la poupée'(ii) etching, sugar lift, aquatint and spit-bite (iii) etching, crayon, sugar lift and aquatint (iv) line etching and aquatint (v) etching and spit-bite (vi) etching and aquatint (vii) etching, soft ground and rolled colour(viii) etching, sugar lift, salt water etching and spit-bite(ix) etching, toner transfer and soft ground(x) etching and toner transfer(i) (iii) (vi) (vii) (x) 291⁄2 x 211⁄4in. (75 x 54cm.) (ii) 271⁄2 x 195⁄8in. (70 x 49.7cm.) (iv) 271⁄2 x 195⁄8in. (70 x 50cm.) (v) (viii) 28 x 195⁄8in. (71 x 50cm.) (ix) 153⁄8 x 115⁄8in. (39.2 x 29.5cm.) (i) (ii) (iii) (iv) (viii) Executed in 2014, this work is number eleven from an edition of thirty plus five artist's proofs(v) (viii) Executed in 2015, this work is number eleven from an edition of thirty plus five artist's proofs(vi) (x) Executed in 2013, this work is number eleven from an edition of thirty plus five artist's proofs(ix) Executed in 2016, this work is number eleven from an edition of thirty plus five artist's proofs