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Impastoed paint build upon each other, layering thickly into a cohesive visuality, an unfiltered expression of the artist. Breaking away from the need for analysis the diptych is a product of the artist's robust, and chronotically rich gestural style. With their genesis engendered by nothing more than the instinct of habit, their presence leads to a postconversation on the boundaries of art itself, and its relation to the continuation of automatism in the developing world. Provenance: Property from an Important Asian Collection Acquired by the present owner from Albertz Benda, New York, USA
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