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HERKULES IM KAMPF MIT DER SCHLANGE Höhe inkl. Sockel: 23 cm. Höhe ohne Sockel: 20 cm. Auf grün-weiß geädertem Marmorsockel. Bronze, gegossen, patiniert. Auf achteckiger Marmorbasis die Figura Serpentinata des kindlichen Herkules im Kampf mit der Schlange. Von dem vorliegenden Modell existieren mehrere Fassungen in unterschiedlicher Ausführung und Qualität. Beispiele befinden sich unter anderem im Kunsthistorischen Museum Wien, im Fitzwilliam Museum Cambridge sowie im Museum Boijmans Van Beuningen in Rotterdam. Die Zuschreibung des Modells an Francesco Fanelli gilt mittlerweile als gesichert – unter anderem aufgrund der auffälligen Ähnlichkeit zu einem der Brunnenentwürfe, die in seinem Kupferstichwerk „Varie Architecture" veröffentlicht wurden (siehe Avery). Literatur: Vgl. E mile van Binnebeke, Bronze sculpture. Sculpture 1500 –1800 in the collection of the Boymans-van Beuningen Museum, Rotterdam 1994, S. 132 – 33, Nr. 38. Vgl. Victoria Avery und Jo Dillon, Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge 2002, S. 168 – 171, Nr. 23. (1450589) (13)

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ATTRIBUTED TO FRANCESCO FANELLI (ITALIAN, 1577-1657): A MID 17TH CENTURY FIGURE OF A FEMALE RECLINING NUDE leaning on a rocky outcrop draped with a cloak, looking over her right shoulder,  12cm high x 17cm wide PROVENANCE: CHARLES AVERY COLLECTION Charles Avery is a specialist in European sculpture, particularly Italian, French, English, Flemish and Dutch. A graduate in Classics at Cambridge University, he obtained a Diploma in the History of Art at the Courtauld Institute and a doctorate for published work from Cambridge. Having been Deputy Keeper of Sculpture at the Victoria and Albert Museum for twelve years (1966-79), and a Director of Christies for ten years, since 1990 he has been a highly respected, independent historian, consultant, writer and lecturer. His books include ‘Florentine Renaissance Sculpture’, 1970, ‘Giambologna the Complete Sculpture’, Phaidon, 1987, ‘Donatello: An Introduction’, John Murray, 1994; ‘Bernini, Genius of the Baroque’, Thames and Hudson, 1997 (paperback, 2006),  and ‘The Triumph of Motion: Francesco Bertos’, 2008. Purchased by Dr Avery from the Adams Collection, Bonhams, 23 May 1996, lot 55.  This unusual, portrait like statuette was previously thought to have been associated with the work of Guglielmo della Porta. A red wax relief by Della Porta and Manno Sbarri (Florence, 1494-1553) depicting the Infant Hercules includes a similar nude female figure in kneeling position over a draped raised surface (see Trinity Fine Art exhibition, New York, 2009, no. 5). However the coiffure modelled in the present statuette is consistent with the 1630's and the casting recalls the technique of Fanelli.
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